Happy New Year!!!!
We still have several chapters to get through before completing the Christmas Read-along, however . . . . Sorry about that! But keep reading and keep commenting, and you'll be eligible for a big giveaway at the end: a chance to win Veiled Rose, Moonblood, and Starflower all in one fell swoop!
Una dreams. I don't remember
if it occurs in this book, but in one of the later books we learn that the
Dragon is also known as Death of Dreams. I think this scene illustrates that.
In Moonblood we learn that the
sleeping dragons relive their dying dreams again and again. Their dreams are
probably something like Una's . . . longing dreams that can never come true,
tormenting them, building the furnace in their spirits.
Una dreams she is home, on her dear Old Bridge under the familiar shadows of
the trees in Goldstone Wood. She knows she's dreaming, but she tells herself
that she does not care. Instead, she revels in the momentary peace the dream
brings, even though it's a peace that will only accentuate her heartbreak upon
even inside this dream, she hears a song calling to her. A song not all
associated with her love and longing for Lionheart. A song which I do not
believe the Dragon would like to allow in her dreams, but which infiltrates her
mind, down to her spirit.
We who were
never bound are swiftly torn apart. The original ideas for this song--which
has become known as "The Sphere Songs" as the series
developed--actually stemmed from an Anglo-Saxon poem I read my junior year at
university. The poem is called "Wulf and Eadwacer," and it is a very difficult
piece that defies classification. Some would argue that it is a riddle; some,
that it is a romantic ballad, or even a selection of an epic.
way or the other, I found it haunting and intriguing . . . a mystery centuries
old. What I love about literature, old literature, is that link it creates
between us and those so long dead. As though we were never truly separated by
this flimsy thing called Time. Through literature, we can have the smallest
glimpse of what Eternity might be, unbound by Time, all of mankind united in
"Wulf and Eadwacer" made me want to reach out to that link, to join
with it in my own small way. So I wrote the rough draft of the poem that is now
featured in Heartless and in other
Tales of Goldstone Wood. It and the original share some similar lines and
I thought of my
Wulf with far-wandering hopes,
Whenever it was
rainy weather, and I sat tearfully,
warrior bold in battle encompassed me with his arms.
To me it was
pleasure in that, it was also painful.
"Wulf and Eadwacer"
covers the distance
shore to shore.
I follow in my
mind your far-off journeying.
But I will walk
that path no more.
"The Sphere Songs"
that one easily
sunders which was never united:
"Wulf and Eadwacer"
We who were
never bound are swiftly torn apart.
return to me?
"The Sphere Songs"
Give and take. I think the song, as it is used in Heartless, becomes a give and take between two spirits. Some of
those lines are Una's spirit, crying out into loneliness and despair. But
others are a response from the Prince himself, from the ministering wood thrush
even. Both sides of the song are a gift, for it gives voice to Una's longings
and hurts that she could not otherwise understand or express. It also answers
that longing and hurt.
definitely, over time, become much more than a mere response to "Wulf and
Eadwacer." Still, can you see how a study of ancient poetry and literature
can make a huge difference in your writing? I highly encourage those who wish
to pursue the writing life to also pursue literature of all kinds, ancient to
modern. And if you can pursue an English Lit. degree, so much the better!
No. Wait for me. In this scene we see Una, lost as she
is in this dragon dream, believing that it is Leonard she waits for, Leonard
she longs for. But the song reaches to her even there, even in the confusion of
her dream, and whispers the truth to her. It is not Leonard for whom she should
wait or hope.
Imoo and Rogan. Two knights of Farthestshore stand
guard over the gates of Fidel's northern fortress, watching over the king. We
don't know a great deal about either of these knights based on the information
in Heartless. I suspect, based on his
description, that Rogan is a Rudioban like Eanrin. Possibly even a cat, since
he's described as having eyes that "shone like those of a cat." We
really don't know where Imoo is from, however . . . at least, not at this point
in the series!
But he has a story.
Most of them have stories . . .
Diarmid. And so Prince Aethelbald strides right down into the
midst of the Dragon Village. The dragons do not recognize him at first. Many of
them have met him in another form, but they have never seen the Prince of
Farthestshore so humbly clad a human man.
yellow-eyed dragon recognizes him at once. And Aethelbald calls the yellow-eyed
dragon by his former name, "Diarmid."
least, never forgets the names of those lost to the fire. And he has not
forgotten Una's name.
1. With a laugh
that filled her whole body with feathery lightness, she jumped from the bridge
and splashed into the water, soaking her skirt up to the knees. It was cold,
bitingly cold, and delicious to feel. She spun around, searching the trees.
Sunlight gleamed through branches, spattering the ground with touches of gold.
Beyond the light, shadows thickened. (p. 289-290)
2. "I feel I
shall become like one of those before long." He indicated the stone
watchmen carved and set within alcoves of the fortress wall. There were two of
them, solemn figures from legends of Parumvir's past. It was the custom for
statues of these men to stand guard over the king's fortresses, but Imoo found
them uncomfortable company in the long watches of the night. (p. 292) I wonder if these two men might be Etanun
and Akilun? I'll bet they are!
Prince of Farthestshore," he said.
Diarmid," Aethelbald replied.
do you call me?" The yellow-eyed boy snorted. "Is that a name?"
is your name."
thing that. No wonder I forgot it. I have no name now, Prince." (p. 294)
Questions on the
different poems have inspired portions of Heartless.
Have you ever been inspired by poetry for your own works of fiction?
2. Some might look
at this scene as a situation where Aethelbald is not in control. Considering
his role as a Christ-figure, this might seem incongruous at first glance. What
are your thoughts? Do you think Aethelbald was overwhelmed and unable to help
these dragons? How does this scene fit into his role as Christ-figure?
3. Favorite lines?
1. I can't they that I have inspired by poetry, although, I have attempted at writing poetry. But some of the classics that have influenced my work have been Dante's Divine Comedy, Pilgrim's Progress, and different mythologies.
2. Just as Jesus was silent before his accusers, having no need to prove anything, and knowing His Father's perfect will, I don't think it seems incongruous. I don't think Aethelbald was overwhelmed. I think it was "part of his plan" so to speak. Also, he cannot help someone who does not want his help, or to be helped. As a Christ-figure, I see him, as Christ comes to us, he goes to Una and meets her where she is at. While we were yet sinners, Christ died for us. There is nothing we can do save ourselves, he had to come here and rescue us just like Aethelbald going to rescue Una.
3. The poems.
"He would come any moment. It was her dream, after all."
"No. Wait for me. I will find you."
1. Poetry...I don't suppose much of my work has been inspired by poetry so much as by words. I'll get a single word stuck in my head and a story gradually grows out of the concept.
But I love that different aspects of the Goldstone Woods series have their roots in literature. Straying away from Heartless here, but I loved the inclusion of the Hound and the reference to the poem "Hound of Heaven" in Starflower.
2. I agree with Jennette.
3. "I seek a princess," he replied. "A princess?" The Bane of Corrilond spat. "We have no princess here. We are all brothers and sisters, not princes and princesses." pg. 293
"Una." She saw his mouth form the word. Her name.
Very interesting note about the two statues. You're building up the suspense for "Dragonwitch" very well.
One thing I notice... In "Starflower" the names of Etanun and Akilun do not seem to be spoken without spite and disdain. Yet here in Parumvir, hundreds of years later, they watch over the fortress.
What happened that redeemed the honor of the names of the Brothers Ashiun? Hmmm...looking forward to finding out...even if I'm crying at the end of it.
1. I don't read a whole lot of poetry, so I haven't been inspired it yet.
2. I completely agree with what Jenette said! :)
3. "Hello Diarmid."
"What do you call me?" The yellow-eyed boy snorted. "Is that a name?"
"It is your name."
"Funny thing, that. No wonder I forgot it."
*Moan* Ooh Diarmid, how he make's me sniffle. He's turned evil and in this scene he is at his worst...and yet I feel compassion for him and sorrow at the thought of what might have been had he trusted in the Prince's grace. Even in this book, before I knew his tragic past, before I knew who his uncle was, I wanted to see this bitter young dragon redeemed. But alas...there are those who walk Death's path and do not see the light of Asha.
1. If I do write outside of social networking and school it is mostly poetry. I don't know if I could pen point certain works that inspired me to write anything in particular. I would say that I like the way some of the Psalms in the Bible are written and I enjoy music lyrics.
#2) What Jennette said. ;)
#3) Reluctant yet also interested, she climbed out from behind her boulder and followed the yellow-eyed boy. A great crowd, hundreds of shadow figures, gathered thickly near the mouth of the tunnel. They jostled and fought each other, and spurts of flame flared up at intervals. But everyone's eyes were fixed on the tunnel mouth, curious about what was coming. The yellow-eyed boy led her off to one side and showed her where to climb to a ledge from which they had a clear view. She settled onto the narrow outcropping and waited.
Suddenly, there he was.
Her eyes widened and her breath stilled. She did not hear the shouts from a hundred dragonish throats, did not take in the swift surge of heat and anger. Her gaze was filled with Prince Aethelbald standing in the mouth of the tunnel over the dark cavern, held by two enormous men with black talons. He was unarmed, yet his face was, she thought, serene even in the harsh red firelight. (pg. 293)
I forgot to state this but thank you for answering all of my questions. =D
1. I have never been inspired by poetry, partly because I had never thought about that...that would be fun to use for a short story, I think. I'll keep an eye out for short-story-usable poems :P
1)Not really poetry, but books.
I was thinking about the scene where Una is in Southlands, when she shouts, "Wait for me!", and this whole scene just sprung into my mind.
I thought about it, figured out the story - more images were formed, and now I writing a short story!
I want to thank you, Anne Elisabeth Stengl, for that.
Hi, me again. I wanted to say something to Hannah. And if you haven't acutally read all the book,my comment will have spoilers.
Hannah: You have to think about who is speaking of Etanun and Akilun. It's Eanrin. And Eanrin, in "Starflower" isn't quite appreciative of Farthestshore Knights and all they stand for, is he?
Of course, here and now when people see the deeds and love, they would admire the brothers.
Okay, I'm done.
Very true. Eanrin's disdain of them almost makes me think he knew them. Perhaps they were once friends?
Also it was said that doors were closed to Akilun, and Etanun's name became another word for traitor. Poor Brothers Ashiun. :(
1)I don't think any specific poems have inspired my writing, but I definitely try to imitate the fluidity of poetry in my writing style--I love lyricism and words that weave together like a song.
2) I agree with Jennette as well! :)
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