A bit shorter of a write-up today. Sorry about that! I'm afraid yours truly has sunk into major Vacation Mode, and is finding it difficult to be motivated this week. I'll be getting back to work next week, however, and plan to catch up on all the questions then. So many good questions pouring in, I'm looking forward to answering them!
But today, I was drawing a picture for my Untitled Book 6. I hope to be able to share both the title and the picture sometime in the next few months . . . .
Meanwhile, back to the story!
Dragon-girl. Trying to hide
what is becoming increasingly more apparent (her dragon nature), Una determines
to climb to the top of the high gorge and find word of Prince Lionheart. At the
thought of him, her fire keeps threatening to mount up and explode out of her,
but she is still able to control it, at least a little. So she swallows it back
and begins her climb.
Strangers on the
one of the most awkward things to do in a novel is to introduce random new
characters who then never reappear in the story. If you are an aspiring
novelist, don't do that. Keep your
novel trim and tidy, free of superfluous characters.
do as I say . . . not as I do.
in this scene we are briefly introduced to the veiled girl and her goat. It
was, of course, necessary for me to include these two characters considering
the events of Moonblood . . . We
learn in that novel that these two characters are much more deeply embroiled in
the story than we can guess from their bit-parts in Heartless.
I confess, I kind of wish in retrospect that I had handled Rose Red and Beana's
involvement in the scene a little differently. They are interesting little
glimpses here, but since they don't actively contribute to this novel, they feel more than a bit random.
It's nice to see someone, even a complete stranger, extend grace to our poor
little princess at this juncture. The goat doesn't seem too happy about it, but
the nameless veiled girl seems to feel a certain sympathy with Una and her
you'll have to read on in the series to find out just why!
Una in the city.
manages to slip through the city gates, despite the initial heckling from the
guards. At first they think her awkward movements are due to drunkenness . . .
but when the guard gets a good look in her eyes, he hastily passes her through,
trying, I believe, to pretend he did not see what he saw. These are a people
recently plagued by the Dragon, still full of his poison. I cannot imagine how
awful the notion of another dragon come into their midst would be!
whenever anyone makes eye-contact, they duck their heads quickly, telling
themselves they are mistaken. So Una passes into the crowded streets and loses
herself in the merry-making throng. And she learns why the city is decked for
is Prince Lionheart's wedding week.
The kitten. I like the
little moment when Una sees the orange kitten in the alley. Cats are not so
easily deceived as humans, nor willing to deceive themselves! It recognizes her
in a moment and flees, snarling. Poor Una! This can only be testimony not only
to how Monster would react were he to see her again, but also to how her own
dear family would react.
she tries to tell herself that Lionheart will know her, and Lionheart will not
Lady Daylily, the Baron of
Middlecrescent's daughter, is mentioned by name for the first time in this
scene. She becomes a major character later on in the series, but here in this
book, she has only one brief scene. Una glimpses her on the balcony, smiling at
the crowd, smiling at Lionheart. She is beautiful, clad in furs, crowned in red
hair. She has won the prince of Southlands for her husband . . . why should she
not be joyful?
Una, watches Lionheart bestow smiles upon Daylily that should have been hers.
Leonard. Una shouts the
name of her beloved jester, and I'm sure the very sound of it, nearly
forgotten, must have rung loudly in Lionheart's ears, despite the noise all
around. And when he looks down into the crowd, he spots Una at once.
he is not glad to see her.
1. Blood like lava
pounded in her veins, and she panted with the terror of it. For Una felt, in
that moment when she saw the look on his face--not a look of joy or delight, as
she had so long dreamed of seeing when at least reunited with him, but of pure surprise
and, an instant later, pure horror--that she would burn him alive with the heat
of her eyes if she could. (p. 258)
Questions on the
1. What do you make
of the merrymakers of Southlands? Do you think they are truly happy on this
2. What do you
think of Una's reaction when Lionheart is so horrified to see her? Do you think
this was the dragon inside her reacting, or simply the hurt young woman? Or
3. Favorite lines?
1)I think they are trying to be. Their prince is celebrating his wedding, the Dragon is gone from their kingdom--I think they're latching onto happiness they know they should be feeling and trying to make the most of it.
2) I think it's both. To tell the truth, I hated Lionheart in this scene and felt so badly for Una. All her hopes, just down the drain because of his cowardice....
1. I agree. They have suffered such destruction and grief, they are really, perhaps, they are exploding with physical acts of celebration, because they finally have something to celebrate.
2. I do think it is Una, and since she is a dragon, the feeling heightened.
1. I think they were just trying to have some type of normalcy again in their lives. The wanted to have hope in their prince and to just forget about all the horrible things that had happened.
I was suprised to read that you wished to change the scene with Rose Red and Beana. The fact they appeared so randomly in the book made that scene, and the mysterious veiled girl and her goat, so memorable to me.
1. Yes. I don't think they know anything about Una based on Lionheart's reaction.
2. Both the dragon and her own reaction.
3. "I am nobody." the girl said.
The dialouge where Una asks ' "Who are you?' " and the veiled girl replies, '"I am nobody. Who are you?" '
was that a nod to the Emily Dickinson poem:
I am nobody! Who are you?
Ar you nobody too?
Then there's a pair of us, Don't tell!
They'd banish us, you know.
How dreary to be a somebody.
How public, like a frog.
To tell your life the live long day
Unto an admiring bog.
Or something like that.
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